Friday, June 9, 2023

Kraftwerk - Minneapolis 2015


My 4th time seeing my all-time favorite band ever, Kraftwerk. I had seen them in Chicago in 1998 and 2005, and at The Myth nightclub in a Minneapolis suburb in 2008. This was the first time witnessing the 3-D show and it was pretty impressive. I traded my co-conspirator in The Trapezoids a bunch of vinyl for a $90 ticket in the balcony as at the time I was drinking air and eating dirt I was so broke.  As fate would have it I just happened to have my Zoom H2 along with me that just happened to have a fresh set of batteries and an empty SD card. Also, conveniently, the seat next to me was empty and I was able to use it to store my jacket that had the recorder in it. Apparently when I set my jacket on the seat it just happened to start recording (COMPLETELY accidentally of course!). Lo and behold a surreptitious recording of the night's festivities.  A few days after the show I posted the accidental recording on the earlier version of this blog, but took it down shortly after. However, the person that is in charge of the Technopop 2000 Kraftwerk Archive had grabbed it and added it to their collection.

So here 'tis, via the Technopop 2000 youtube channel, for your entertainment and educational use.


Northrup Auditorium's event page

Twin Cities Media review (and also the source of the photos used above)


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  2. Computer World
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  6. Metropolis
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  9. The Model
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  29. Musique Non Stop


Tuesday, February 21, 2023

How To Get Front Row Center Tickets For Danielle Dax and Sisters Of Mercy

 Here's how I remember it:









Late March of 1991, I was driving a courier van as a day job, had just quit the first "real" band I was in, and was shacking up with my then-girlfriend Ms. Polly Purebread.  While finishing my route one sunny Thursday afternoon I drove past the Orpheum Theater and saw posted on their marquee that The Sisters Of Mercy with special guest Danielle Dax were playing soon. Tickets were going on sale that coming Saturday.

I nearly jumped out of my van in excitement. The Sisters AND Danielle Dax?!? Two of my favorite bands at the time, together, in concert!!! I quickly rolled back to the garage and dropped off my courier van and then high-tailed it to see Polly at her place of employment to tell her the news. She was just as excited as I was, until she brought up the question of how we were going to get tickets... This, obviously, was well before the days of online ticket purchasing, and neither of us had a credit card, so trying to get tickets on the phone was out of the question. It was going to be cash on the barrelhead so to speak.  I told her that I was going to go home and think about it while she finished up her work day.

I went home and started going over all the ticket-buying scenarios I could think of. I could go to the Orpheum box office, but they didn't open until an hour or so after the tickets went on sale. For a show of this magnitude we wanted the best tickets we could get as soon as we could get them. The ticket office at Dayton's opened at 9am, right as the tickets went on sale. We assumed that there would be a line around the block waiting for the doors to open and the throngs of black-clad goth kids would be clamoring, fighting fang and nail, to be the first in line for tickets. There had to be a better way... work smarter  not harder as my father would often say...

And then it hit me. The perfect plan.

Polly got home, and over dinner I explained to her what I had come up with. She agreed that it was the best plan, assuming everything went correctly.

The next day I stopped by her place of employment again to say hi, and we were both giddy with the thought of seeing two of our favorite bands. When she got home that night she handed me cash that she had withdrawn from the bank to buy the tickets with. I paper-clipped it to that day's courier manifest that I had "forgot" to turn in after my shift. Oh well, I'd give it to my dispatcher on Monday and apologize for taking it home with me over the weekend. I went to bed early that night as I had to get up at 7am in order to put the master plan into action.

At 7am my alarm went off and I was startled awake. This was Saturday, and I didn't work Saturdays. Polly slept through it like she always did, but I was still quiet as I gingerly got dressed in my courier uniform. I grabbed the clipboard with the previous days manifest and the cash and went downstairs to catch a bus.

I got to Dayton's at about 8:30 and went to the delivery door. There was a guard there and he asked what I was doing. I said that I had an envelope to pick up on the 6th floor. He had me sign in and then let me through the secured door so I could go "pick up my envelope".

Phase One complete! On to Phase Two...

I took the elevator up to the 3rd floor where the ticket office was. It was empty and all the lights were off, door locked solidly.  That's OK, it was still part of the plan.

At about 8:55, a mere 5 minutes before the ticket office was supposed to open, a random Dayton's employee walked by and asked what I was doing there. "The store's not even open yet, how did you get in here?" she asked in a voice more stern than a burned out home ec. teacher. I flashed my clipboard with the day old manifest on it, and flashed my ID badge, and said that I had just dropped off an envelope on the sixth floor. And I figured that while I was here I might as well grab some tickets when the ticket office opened up. She said "you know there are people waiting outside and its not really fair to them!" I fully agreed and said I'd happily go outside to the end of the line, but it was still March and there was a chill in the air, and I hadn't planned on being outside so I left my jacket in the van. She looked me up and down, left to right, inside and out, and finally said "well, you're already here..." and walked off.

Phase Two complete! Onto the final phase of my cunning plan.

At 8:57 the light went on in the ticket office. A minute later the window opened up and a woman who looked younger than me popped her head out and asked if she could help me. I said I was there for Sisters of Mercy tickets and was willing to wait for everyone ahead of me to get theirs first. She said that since I was already there and she had just got her system up and running she could sell me tickets right then and there, at 8:58. Two minutes before they officially went on sale.

Phase three completed.

I hopped the bus to go back home, and when I entered our apartment my girlfriend was still in a deep sleep.  I got out of my uniform and into bed. She stirred a little, and woke up enough to ask if I was able to get the tickets. In a very sullen voice I said "yeah, I got the best seats I was able to, and I hope they're good enough", and then handed her the tickets.  She squinted at them, then sat bolt upright and shouted "YOU GOT FRONT ROW CENTER SEATS!!!"


As usual, I don't remember anything much about the actual show. I remember being entranced by Danielle Dax. I remember the Sisters had a LOT of fog. And lest you, my dear readers, think that I exaggerate about getting lost in concert performances, my only complaint after the show was that they didn't play "Lurcretia My reflection", to which my girlfriend said it was the second song they played! (proof will be posited in the link to the recording of this show found a little further down)

your humble narrator in the souvenir shirt from said SoM concert


After the show was over my GF and I thought nothing of going around to the back of the venue in hopes of meeting the band. I *REALLY* wanted to meet Tony James, current bass player for the Sisters, but more importantly to me former mastermind of two of my favorite bands; Generation X and Sigue Sigue Sputnik. Sadly no Sisters were spotted, but about 200 feet down from the stage doors was a small touring bus. Standing outside of the bus being ignored by everyone was Daniele Dax and her guitar player. I nudged my GF and said "follow me", which she did. We went up  and introduced ourselves and complimented them on their performance. They seemed genuinely appreciative and told us we should see their "real" show. It seemed Mr. Taylor (aka Sisters Of Mercy boss Andrew Eldritch) wouldn't let The Dax Band use all their stage finery which included elaborate costumes and stage sets.

The guitar player (I cannot remember his name for the life of me) was enthralled with my homemade Clinical Psychosis shirt, and was doubly intrigued when I told him it was the band I was currently singing for. Disappointed that I didn't have any of our music to share with him, we made more small talk for about 15 minutes until the tour manager herded everyone onto the bus and off to the hotel.


A few years later I was able to procure a recording of the Sisters set from that night courtesy of Minneapolis live music archivist J. Free.  He didn't record the show himself, his friend did, and sadly missed getting a recording of Danielle Dax' set.

Oh yeah, the screaming you hear directly in front of the person taping it? That's me.


Here's a link to grab that SoM set for your dining and dancing edutainment




April 6 1991

Sisters Of Mercy

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Thursday, October 27, 2022

Siouxsie & the Banshees First Ave April 19 1995


Sadly no recording of this show has come my way, but there *is* an amazing story in connection with it.

Here's how I remember it:

At this point I was a regular at First Ave, thanks to their at-the-time EXTREMELY liberal policy on complimentary tickets, and this show by The Banshees was not to be missed. As related in the previous story, I had the pleasure of seeing the band nine years prior and still had fond memories of it. So I was excited about getting the chance to see them again, bonus points as I had heard that John Kline, formerly of one of my all time favorite bands, Specimen, was playing guitar.

As is usual with a really great show I have no recollection of the performance itself. Thanks to The Internets I was able to find the date and set list, and Getty Images has a photo allegedly taken from said show, but none of it lives in my memory. What I *do* remember is meeting the guitar player after the show, and being disappointed that it was not, in fact, John Kline formerly of Specimen, but a jobber who picked up the Banshees gig having just finished a tour with The Psychedelic Furs. Nice guy, just not who I was hoping it would be.

Show over and the concert goers thinning out, Leon and I retired to the small upstairs bar near the office and ordered a few drinks. There was one other guy slumped at the bar, head down, looking like he was passed out. All I remember thinking was that he had scraggly blonde hair and a bandanna tied to his head, and he was in his own world. Leon and I were talking and drinking, drinking and talking, and lamenting about how no current bands were willing to take risks with their music anymore, and how bold and innovative bands like The Banshees were compared to mainstream music. All of a sudden the other guy at the bar popped up and thumped Leon in the chest with the back of his hand and, in a thick British accent, said "We're a dying breed, mate. We're a dying breed!"

It took a second for both of us to realize that the bum passed out next to us at the bar was , in fact, Budgie, drummer for The Banshees! Utterly taken aback, it took another second to regain our composure. We then had a really good conversation with Budgie about music, and how different it was when he was just starting out. It was such a good time that, after about 45 minutes, Budgie said "hang on a minute, there's someone I want you guys to meet. Stay here for a minute", then he sprinted down the stairs. Ten minutes later he returned with a very intoxicated Siouxsie*** in tow and made introductions all around. Sioux held out a limp hand for us to shake as Budgie said "Hey Sioux, these are my new best mates!". She wasn't nearly as involved in the conversation as it resumed and excused herself back to the bus.  Budgie hung out for about another hour, just shooting the shit with us like we were long lost friends catching up after years of not seeing each other. Eventually their tour manager wrangled Budgie back to the bus, Leon and I made our way to the parking ramp and went to our respective homes.

*** Siouxie is A LOT smaller than photos lead me to believe. In fact I was surprised; here I was thinking she was an Amazonian goddess, but in reality, with flat hair and boots, was about 5'6"


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Wednesday, October 19, 2022

Siouxsie & The Banshees Minneapolis 1986


 Siousxise And The Banshees

Orpheum Theater Minneapolis

May 25 1986

Here's how I remember it:

My then-girlfriend, Ms. Emma Rotgut, and I were stoked when we heard the news that one of the original punk bands was going to grace our fair burg with their presence.  Siouxsie and the Banshees, the band that got together for the sole purpose of disbanding after a single show in 1976, were still kicking eight years later and we were going to see them.  They were to play at the Orpheum Theater, so we had to actually purchase tickets, unlike the scads of free comps. First Ave. was known for handing out like cups of water at an all-ages show.  I have no recollection of getting the tickets. I don't think either one of us skipped school to buy them. Maybe Ma Rotgut, who worked in the same building as the ticket seller got them for us... I really can't recall at all.

I really can't remember much of the lead-up to the show, except being an exited 18 year old.

I remember The March Violets were set to open (I had heard of them, never heard them at that point, but in the ensuing decades have become a MAJOR SUPERFAN of the band, and an even bigger fan of Simon D's post-Violets band The Batfish Boys) but apparently had broken up by the time the tour rolled into town, so a band called Mechanical Preacher opened up. Mechanical Preacher included some former member of Gang Of Four, but I was never really a fan and don't remember a single thing about their performance.

One very memorable thing was Ms. Rotgut and I making fun of the young woman and her dad in the seats either next to us or in front of us. Ms. Rotgut and I, in all our holier-than-everyone else attitudes were chortling to each other about how this girl had to bring her dad with her to the show, and how she must just be a weekend poseur in a grey flight suit.  Ah, the fallacy of youth and what one does to make one feel better about one's self, even if at the expense of total strangers*.

Mechanical Preacher finish their set and after what seemed forever the lights dimmed, intro music started resounding from the speakers, and the crowd started going crazy.  As usual with most concerts I really enjoy, I get lost in the moment and have a very difficult time recalling exact details.  I just remember it being a great show, and especially the song Monitor.

Sadly Ms. Rotgut and I didn't last as a couple much more after that show, she moving on to greener pastures. I bummed around for a few years working whatever crap job would let me work with my hair all spiked up, and trying desperately to continue The Ed Gein Fan Club or start something completely new. Summer of '88 I was roped into singing for Iron Fist and got a job at a local health food store working at the frozen yogurt counter. There was another employee of the store who caught my eye, and eventually I screwed up the courage to talk to her. Having just joined my favorite band (Iron Fist) I was pretty cocky and told this young lady she should come to our show that Saturday. She did, sparks flew, and we were together for almost 6 years. Polly Purebread and I moved in together shortly after meeting and while we were unpacking our individual stuff I found my ticket stub from the Banshees show. I showed it Polly and told her it was a really great show. She looked at my ticket stub quizzically for a second and agreed that it was a great show. I was surprised she had been there.

*I told her about the young lady who had to go to the concert with her father and how Ms. Rotgut and I were making fun of her behind her back.  Polly smiled, and dug out her own ticket stub from the concert, and EMPHATICALLY said that it was her STEP-dad, and that he was actually a big fan of the band as well as she, and he wasn't there solely to chaperone.

Yeah, Polly Purebread just HAPPENED to be the person Emma and I were ripping to pieces under our breath.

A little while after Polly Purebread dumped me I was trading tapes with J. Free, who just happened to have taped that Siouxsie show. 


HERE'S A LINK TO THE SHOW